Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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ANDREA DA FIRENZE
The Church Militant and Triumphant (detail)

ID: 32240

ANDREA DA FIRENZE The Church Militant and Triumphant (detail)
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ANDREA DA FIRENZE The Church Militant and Triumphant (detail)


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ANDREA DA FIRENZE

Italian Gothic Era Painter, ca.1343-1377  Related Paintings of ANDREA DA FIRENZE :. | The Church Militant and Triumphant (detail) mm | Triumph of St Thomas and Allegory of the Sciences (detail) | Scenes from the Life of St Rainerus (detail) | Descent of Christ to Limbo | Descent of Christ to Limbo (detail) kkk |
Related Artists:
Carl Nebel
Carl/Carlos Nebel (March 18, 1805 - June 4, 1855) was a German engineer, architect and draughtsman, best known for his detailed paintings of the Mexican landscape and people and of the battles of the Mexican-American War. Nebel was born at Altona, today a part of Hamburg. After studies in Hamburg and Paris, he travelled to America, where he was a resident of Mexico from 1829 until 1834. In 1836, he published in Paris his renowned illustrated work on that country-Voyage pittoresque et archeologique dans la partie la plus interessante du Mexique, with 50 lithographs made from his paintings, twenty of which were hand-colorized, and an introduction written by Alexander Humboldt.
BORGOGNONE, Ambrogio
Italian painter, Milanese school (b. ca. 1453, Fossano, d.1523).
Jan Matejko
Polish Painter, 1838-1893 He studied from 1852 to 1858 at the School of Fine Arts in Krakew and, during this time, started exhibiting historical paintings with the Society of Friends of the Fine Arts there (e.g. Sigismund I Bestowing Nobility on the Professors of the University of Krakew in 1535 (1858; Krakew, Jagiellonian U., Mus. F.A.). After studying in Munich (1859) under the history painter Hermann Anschetz (1802-80) and then briefly and less successfully in Vienna, Matejko returned to Krak?w, where he was based for the rest of his life. In 1860 Matejko issued an illustrated album, Ubiory w Polsce (later editions 1875 and 1901), a project reflecting his intense interest in historical records of all kinds and his desire to promote such interest among the Polish people in an effort to intensify their patriotic feelings. This role first became widely associated with Matejko with his painting of Stanczyk (1862; Warsaw, N. Mus.), the court jester to King Sigismund I (1437-1548), to whom Matejko gave his own features. The jester is presented as a symbol of the nation's conscience






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